The program even lets you animate a layer’s transfer mode, something no other compositing program does. You can animate just about all of a layer’s properties, from geometric information to color. Red provides a tremendous amount of animation control. Once you’ve set up a layer, you can use Red’s standard Composition window to animate its properties.
BORIS GRAFFITI 3 MOVIE
For example, if you want an imported movie to appear on the face of a cube, you simply make that layer a cube. Via a simple pop-up menu, you can also specify the underlying shape of each layer - Red’s shapes include 3-D planes, cubes, and spheres, as well as page turns, a standard motion graphics effect. Red lets you import still images and movies, but it goes much further, allowing you to create layers that contain text, colored gradients, EPS artwork, 3-D shapes, and procedurally generated textures, so you don’t have to create these things in a separate application. When you create a new layer, you specify the type of media that layer will contain. Via this interface, you reap the benefit of Red’s complex controls and dedicated animation environment, as well as seamless integration between your motion-graphics program and your NLE.Īs with all compositing programs, you define composites by stacking layers on top of one another - with Red, this happens in the Composition window.
BORIS GRAFFITI 3 UPGRADE
If you're using Graffiti 2.1 LTD (or even just Graffiti 2.1 full-version), spend the $195 and upgrade to the full-blown Graffiti 4, which offers not a lot of new improvements over Graffiti 3, but does greatly over Graffiti 2.1.Most plug-ins integrate with a host application’s standard interface, but this isn’t the case with Red, whose four tiled windows and custom menus cover your screen. Then animate as you would any effect in Avid or another animation program. I think the keyboard default for creating new keyframes is Ctrl+N (on Windows, not sure on Mac). Select the 2 existing "Master" keyframes that exist on the timeline when you create your text, then make your tweaks in the Controls window to animate them, OR, create a new keyframe by selecting the "Track" menu in the Timeline and selecting "Add New Keyframe" (or something like that, I'm not in front of my Avid right now). To tweak those effects, you click on the Controls window and use the many tabs at the top of the Controls window to tweak your effects. To affect the title, you click on its appropriate track in the timeline to select (highlight) it, then click on the Filters menu (above the timeline), select your effect, and you're in business. My understanding of creating titles in Graffiti is basic, in that you open the text window, type out your text, click the "Update" button on the bottom-right of the text window, and boom-you've got text. I've never really used Graffiti much, I've always used Boris FX or Red (now Avid FX).
Do it, if this is the case, as the full-version of Boris Graffiti has at least 3 blurs in it.Ģ) Are you even getting INTO the Graffiti software, or are you simply applying the effect to your timeline and trying to create from the Avid interface? I'm assuming that you're getting into the Graffiti interface, but just wanted to make sure.
BORIS GRAFFITI 3 FULL
You'll have to upgrade to the full version, which is a very cheap $195. If that's the case, there's no blurs available in Graffiti LTD. Maybe it's me, but your post seems a bit vague.ġ) Are you using the version of Boris Graffiti that came with your Avid system (which would probably be the LTD version).
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